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![Lung-Fa Tang Temple. Mental patients. Kaohsiung, Taiwan, 1998. Chien-Chi Chang. [From the series The Chain]
Contemplating the nature of human bonds and societal ties, Chien-Chi Chang’s sombre monochrome photographs portray inmates from a mental asylum chained together in pairs, ostensibly as part of their ‘revolutionary’ therapy. Freedom and constraint, love and alienation, compassion and shame are some of the complex issues that define the ambiguous relationships between Chang’s captured subjects and the outside world. Considered social misfits and a disgrace to their kin, the pictured men were consigned by their relatives to Lung Fa Tang, a Buddhist sanctuary and Taiwan’s largest chicken farm with a workforce of nearly 700 mentally ill inhabitants.
Physically linked by a small chain around their waists, day in day out, only unlocked for sleeping, the more stable of the two is supposed to assist the less lucid in their daily chores. With their ties to society severed but bound by the ‘chain of compassion’ to one another, the interactions between the paired outcasts can only be fraught. As Chang comments: The most pathetic part is that once the two are chained together, they are forever incapable of fighting against it. Their only alternative is to become submissive, to give in, or they will never walk out of that place.
Visiting the asylum over a period of six years, Chang took the present photographs in one session, asking them to pose after lunch on their way back to work. By positioning his subjects as if on stage in front of a plain dark background, he transcends the photojournalist mode, and with this transforms his images into a cipher for the human condition per se.](http://25.media.tumblr.com/tumblr_kx6g7zBQJw1qz8s8ao1_400.jpg)
Lung-Fa Tang Temple. Mental patients. Kaohsiung, Taiwan, 1998. Chien-Chi Chang. [From the series The Chain]
Contemplating the nature of human bonds and societal ties, Chien-Chi Chang’s sombre monochrome photographs portray inmates from a mental asylum chained together in pairs, ostensibly as part of their ‘revolutionary’ therapy. Freedom and constraint, love and alienation, compassion and shame are some of the complex issues that define the ambiguous relationships between Chang’s captured subjects and the outside world. Considered social misfits and a disgrace to their kin, the pictured men were consigned by their relatives to Lung Fa Tang, a Buddhist sanctuary and Taiwan’s largest chicken farm with a workforce of nearly 700 mentally ill inhabitants.
Physically linked by a small chain around their waists, day in day out, only unlocked for sleeping, the more stable of the two is supposed to assist the less lucid in their daily chores. With their ties to society severed but bound by the ‘chain of compassion’ to one another, the interactions between the paired outcasts can only be fraught. As Chang comments: The most pathetic part is that once the two are chained together, they are forever incapable of fighting against it. Their only alternative is to become submissive, to give in, or they will never walk out of that place.
Visiting the asylum over a period of six years, Chang took the present photographs in one session, asking them to pose after lunch on their way back to work. By positioning his subjects as if on stage in front of a plain dark background, he transcends the photojournalist mode, and with this transforms his images into a cipher for the human condition per se.
